November 2012
One Writer’s Garden: Eudora Welty’s Home Place
A rich exploration of the garden Welty tended with her mother and how that work affected her writing
By Susan Haltom and Jane Roy Brown
Photographs by Langdon Clay
University Press of Mississippi
Cloth, $35.00
By the time she reached her late twenties, Eudora Welty (1909-2001) was launching a distinguished literary career. She also was becoming a capable gardener under the tutelage of her mother, Chestina Welty, who designed their modest garden in Jackson, Mississippi. From the beginning, Eudora wove images of Southern flora and gardens into her writing; yet few outside her personal circle knew that the images were drawn directly from her passionate connection to and abiding knowledge of her own garden. Near the end of her life, Welty still resided in her parents’ house, but the garden–and the friends who remembered it–had all but vanished. When a local garden designer offered to help bring it back, Welty began remembering the flowers that had grown in what she called “my mother’s garden.”
By the time Eudora died, that gardener, Susan Haltom, was leading a historic restoration. When Welty’s private papers were released several years after her death, they confirmed that the writer had sought both inspiration and a creative outlet there. This book contains many previously unpublished writings, including literary passages and excerpts from Welty’s private correspondence about the garden.
The authors of One Writer’s Garden also draw connections between Welty’s gardening and her writing. They show how the garden echoed the prevailing style of Welty’s mother’s generation, which in turn mirrored wider trends in American life: Progressive-era optimism, a rising middle class, prosperity, new technology, women’s clubs, garden clubs, streetcar suburbs, civic beautification, conservation, plant introductions, and garden writing. The authors illustrate this garden’s history–and the broader story of how American gardens evolved in the early twentieth century– with images from contemporary garden literature, seed catalogs, and advertisements, as well as unique historic photographs. Noted landscape photographer Langdon Clay captures the restored garden through the seasons.
Susan Haltom, Ridgeland, Mississippi, is a garden designer and preservation and maintenance coordinator of the Eudora Welty garden. She has published in Mississippi Magazine, Mississippi Gardens, Old House Journal, andMagnolia, the journal of the Southern Garden History Society.
Jane Roy Brown, Conway, Massachusetts, is a freelance travel and garden writer with a focus on historic gardens and landscapes. She also is director of educational outreach for the Library of American Landscape History. She has published in Horticulture, Preservation, Garden Design, and The Boston Globe, and she serves as a contributing editor to Landscape Architecture.
Langdon Clay’s photographs have been featured in such publications as Jefferson’s Monticello by Howard Adams and From My Chateau Kitchen by Anne Willan. His art photography can be found in museums in Paris, London, New York, Chicago, New Orleans, and Jackson, Mississippi.
Jerry Atnip
Jerry Atnip has a 38-year career as a commercial and fine art photographer. His images have been published in 40 countries, and since 2003, he’s held over 75 exhibitions and been presented with over 90 awards. He is also a teacher, workshop director, curator, juror, frequent lecturer and serves on the boards of several Arts &
Photography organizations, including Atlanta Celebrates Photography festival and Slow Exposures Photofestival. His work has been collected by museums, corporate and private collectors and he is an Exhibiting Member of The National Arts Club in New York.